I saw this band in 2009 in the back room of a Bushwick bar with my pal EE. EE remembers:
"Early spring 2009, back room of that bar on Bushwick Ave. I remember cold weather, dirty carpeting, and a weird opening band."
Now, they've got Maeby in a music video where NY looks like LA and LA like NY. Movin' on up.
I post this track with some reservation, as it tends to get painfully stuck in my head and then I have to sing anything I can think of to get it out (most recently “Dignified and Old” by The Modern Lovers and “Billie Jean” by M.J.).
Actually, it's for the same reason that I hestitate, that I post—this track is insanely catchy. The bass is great, the horns are great and the singer's got a good 90s sound going on, a little like The Innocence Mission, yes? And of course, there's the idea of friends, friends and new friends, friends, friends that are old friends...well, we can all relate, can't we?
What else has been happening? Well, I don't know. Reading, writing, making music at home and applying to lots of jobs. Getting better at living here. Not driving to LA. Making new friends and keeping the old, one is silver and the other's gold.
Oh, somewhat related, are you as excited about this as I am?
Friends of Friends.mp3 [Thanks]
When I call,
you don't pick up anymore.
But I've got friends that are new friends,
And friends that are old friends,
And friends are enough.
Showing posts with label Brooklyn. Show all posts
Showing posts with label Brooklyn. Show all posts
February 8, 2012
June 10, 2011
Anni Rossi//Land Majestic
A Jam Majestic and Untamed: Local Music Friday
What's up with Local Music Fridays?
Guys, I am just going to stop making promises about post frequency/quantity/etc. We both know I can't keep them. With the moving and the wedding planning and the new (sort of demanding) job, I'm like a deadbeat dad with a million shitty excuses. Not cool. So from now on, you'll hear from me when you hear from me. The only thing I can completely guarantee is that the jams will stay totally real and top notch. Quality, not quantity, amiright?
I've hung out with Anni Rossi a handful of entertaining times. We are strictly the kind of acquaintances who make plans to hang out when we see each other without following through on them. Honestly though, sometimes these are totally awesome relationships, I think. It's always good to run into these folks at shows/on the street/whatever and of course you do legitimately want to hang out, but you get busy, they get busy, you move across the country...you know how it goes.
Regardless, Anni is rad and her music is, as evidenced by the track below, also rad. This recording is super rich. The tones of all the string instruments are impeccable. The arrangement, especially with respect to the use of rhythm, manages to be interesting, original and catchy all at once. Not an easy feat. Have I mentioned that the lyrics are kind of heartbreaking (in case you missed them)? Have we all not been there?
Buy Heavy Meadow, the album from whence this came, here.

Land Majestic.mp3
And we jumped into
The Grand Canyon in winter,
Throwing glitter.
What's up with Local Music Fridays?
Guys, I am just going to stop making promises about post frequency/quantity/etc. We both know I can't keep them. With the moving and the wedding planning and the new (sort of demanding) job, I'm like a deadbeat dad with a million shitty excuses. Not cool. So from now on, you'll hear from me when you hear from me. The only thing I can completely guarantee is that the jams will stay totally real and top notch. Quality, not quantity, amiright?
I've hung out with Anni Rossi a handful of entertaining times. We are strictly the kind of acquaintances who make plans to hang out when we see each other without following through on them. Honestly though, sometimes these are totally awesome relationships, I think. It's always good to run into these folks at shows/on the street/whatever and of course you do legitimately want to hang out, but you get busy, they get busy, you move across the country...you know how it goes.
Regardless, Anni is rad and her music is, as evidenced by the track below, also rad. This recording is super rich. The tones of all the string instruments are impeccable. The arrangement, especially with respect to the use of rhythm, manages to be interesting, original and catchy all at once. Not an easy feat. Have I mentioned that the lyrics are kind of heartbreaking (in case you missed them)? Have we all not been there?
Buy Heavy Meadow, the album from whence this came, here.

Land Majestic.mp3
And we jumped into
The Grand Canyon in winter,
Throwing glitter.
Labels:
Anni Rossi,
Brooklyn,
Experimental,
Girl Singer,
Indie,
Indie Pop,
Local Music Friday
May 26, 2011
Fabolous//You Be Killin' Em
I'm not sure how this one slipped through the OSS cracks, but this song was IT right around when I was leaving NYC. I first heard it while driving to a gig at Party Xpo in Bushwick with Karl and Patrice. Everyone knows that the only station to listen to when driving to shows is Hot 97. I suppose I'll have to find a West Coast replacement soon.
The second the song came on we were fucking entranced. Oh, that glorious synth line. Oh, that incredible flow. Oh, that hilarious line about shoe-i-cide. Oh, Fabolous, be still my heart. You truly are fabolous.
From that tender moment, this song became a staple at basement dance parties and divey bars with those shitty digital jukeboxes. People flocked to dance to it at the final 50/50 show. I also unabashedly still listen to it when I get homesick for NYC.
Let me note here that even a cursory read of the lyrics reveals a number of things I find generally deplorable ie. this is not a feminist-friendly anti-capitalist rhyme, if you know what I'm saying. Still, let's just try to let that be what it is and love it for how catchy and clever certain lines are. OK?
Fabolous aka John David Jackson was born in the late 70s in Brooklyn. In addition to being a rapper, he now also has his own clothing like called Rich Yung Society. In case you're wondering where you can score some Fabolous swag... I mean, hey, who wouldn't want that necklace?

You Be Killin' Em.mp3
Looking good has its sacrifices:
Chilly weather bring four figure jacket prices.
Her body nice, face dime.
Give me that iPhone 4, Face Time.
The second the song came on we were fucking entranced. Oh, that glorious synth line. Oh, that incredible flow. Oh, that hilarious line about shoe-i-cide. Oh, Fabolous, be still my heart. You truly are fabolous.
From that tender moment, this song became a staple at basement dance parties and divey bars with those shitty digital jukeboxes. People flocked to dance to it at the final 50/50 show. I also unabashedly still listen to it when I get homesick for NYC.
Let me note here that even a cursory read of the lyrics reveals a number of things I find generally deplorable ie. this is not a feminist-friendly anti-capitalist rhyme, if you know what I'm saying. Still, let's just try to let that be what it is and love it for how catchy and clever certain lines are. OK?
Fabolous aka John David Jackson was born in the late 70s in Brooklyn. In addition to being a rapper, he now also has his own clothing like called Rich Yung Society. In case you're wondering where you can score some Fabolous swag... I mean, hey, who wouldn't want that necklace?

You Be Killin' Em.mp3
Looking good has its sacrifices:
Chilly weather bring four figure jacket prices.
Her body nice, face dime.
Give me that iPhone 4, Face Time.
January 11, 2011
The So So Glos//My Block
Hi friends. Sorry it's been more radio silence here than radio OSS. To be fair, I have good excuses. I always do, don't I? Last shows. Holidays. Moving out. Moving away from NYC, which I am doing in a few mere hours (ACT QUICK!).
But, I wanted to remind you that I'm still here and still checking out new music/compiling an awesome list of jams to share with you once I actually have the time to share them again.
For now, I'll leave you with a band I recently felling in love with, Brooklyn's own So So Glos.
I think it's an appropriate song to go out on and features tons of proper NYC love and pride. Please enjoy this (mostly) one take video:
But, I wanted to remind you that I'm still here and still checking out new music/compiling an awesome list of jams to share with you once I actually have the time to share them again.
For now, I'll leave you with a band I recently felling in love with, Brooklyn's own So So Glos.
I think it's an appropriate song to go out on and features tons of proper NYC love and pride. Please enjoy this (mostly) one take video:
My Block.mp3
But it's the same routine.
It's been the same since 19AD (80?).
The rich kids in the hungry neighborhoods
Are looking for something to eat.
Labels:
2010s,
Boy Singer,
Brooklyn,
Indie,
NYC,
Punk,
Rock,
The So So Glos
October 1, 2010
The Umbrella Men//I Don't Emote
Music for a Rainy Friday Local Music Friday
What's up with Local Music Fridays?
Happy Friday to everyone. I am a little late on this one because I meant to put it up last week, but, as per usual, life got ahead of me and so here I am, having finally caught up.
This band, The Umbrella Men, played my house last Saturday. It truly was one of the most fantastic 50/50s ever--the house was packed and these guys played the shit out of their instruments, which included a guitar, fiddle and glockenspiel setup. It always makes me happy to put songs up that are made by super sweet people and the Tuss brothers are as sweet as they come. Suffice to say, the band brought a community bottle of whiskey for the crowd and had a friend doling out shots in Disney-branded dixie cups. Hot times.
Danny and David found their way to Brooklyn (they even live in my hood, which makes this Friday truly local) via Columbus, Ohio, a city I have much love for after the most recent Palmyra tour. Their music is a lovely mix of old timey and indie rock. Perfect for today, your weekend and beyond.
I Don't Emote.mp3
I haven't had any fun since the day we met.
Labels:
2010s,
Boy Singer,
Brooklyn,
Folk,
Indie,
Indie Folk,
Local Music Friday,
Ohio,
The Umbrella Men
September 9, 2010
The Excellents//Coney Island Baby
Today, A and I are going to get engagement pictures taken at Coney Island. Gay, right? But still, cute. You have to say, it's cute!
Coney Island is a magical place to me, filled with all my favorite things. Skee Ball. Soft Serve. Ocean Waves. Cotton Candy. Roller Coasters. Photo Booths. Freaks. Beer. And it's in New York City! And it's accessible by subway! Is it heaven? Yes! It is!
This song is about Coney Island and also about love, so basically it's exactly about my day today. And it's Doo Wop. Is it heaven? Yes! It is!
There's not much known about this group, but what there is to know can be found here.

Coney Island Baby.mp3
You're my Coney Island baby.
You're so precious and so sweet.
Since the day I met you,
My life has been complete.
You're my everything.
Soon, you'll wear my ring.
You're my girl.
Coney Island is a magical place to me, filled with all my favorite things. Skee Ball. Soft Serve. Ocean Waves. Cotton Candy. Roller Coasters. Photo Booths. Freaks. Beer. And it's in New York City! And it's accessible by subway! Is it heaven? Yes! It is!
This song is about Coney Island and also about love, so basically it's exactly about my day today. And it's Doo Wop. Is it heaven? Yes! It is!
There's not much known about this group, but what there is to know can be found here.

Coney Island Baby.mp3
You're my Coney Island baby.
You're so precious and so sweet.
Since the day I met you,
My life has been complete.
You're my everything.
Soon, you'll wear my ring.
You're my girl.
Labels:
60s,
Boy Singer,
Brooklyn,
Doo Wop,
New York,
The Excellents
August 27, 2010
The Shamblers//Dog Jobs
Ready for a Break from the Rat Race? Local Music Friday
What's up with Local Music Fridays?
More dogs!!!
Yes, it's down to the wire, but welcome now to this 63rd edition of Local Music Friday.
Tonight, I'd like to highlight a band that we were lucky enough to play a show with last week. They are called The Shamblers and their music is fast, fun and irreverent.
This song, performed live on WFMU, is mainly about jobs and the different kinds you can have. The definition of "job" is rather liberal, as the (rotating) lyrics frequently include "unemployed," which is less a job and more the lack of a job. But heck, who's counting? Last week, "sous chef" was also included, which I thought was brilliant.
Now, speaking of jobs, sit back and relax. Hopefully the fact that we're an hour away from the weekend means you're off the hook for the next 48 hours. That's right, no "referee" or "piano tuner" for you.
To hear more Shamblers, including a studio version of this song and a really awesome cover of "Copkiller," go here.
Dog Jobs.mp3
Grave digger,
Crossing guard,
Doctor,
Lawyer,
Pro Wrestler,
Butler,
Drug Sniffer,
DA.
Labels:
00s,
Brooklyn,
Garage,
Girl Singer,
Indie,
Local Music Friday,
Punk,
The Shamblers
June 28, 2010
Class Actress//Careful What You Say
Back to your regularly scheduled program: Monday Mail
What is Monday Mail?
Is it just me or have the 80s come and gone a few times in the last 10 years? Maybe it’s just the end of history, but it seems like they’ve been back, then gone, then back, then gone at least three or four times since I entered college. I can never exactly decide if I like it.
Also, I bet you’re really ready for me to stop blabbering on and on about Northside, especially if you don’t live in the general NYC area (SORRY!), but Class Actress, who I caught at the fest, is delightfully 80s in the way I do like—synthpoppy somewhere between some choice Magnetic Fields albums and actually wearing shoulder pads.
Brooke from Big Hassle says:
Class Actress is led by Elizabeth Harper, the second artist to sign to Chris Taylor from Grizzly Bear and Ethan Silverman's Terrible Records. Harper is joined by producers Mark Richardson and Scott Rosenthal for their debut, Journal of Ardency, which also features guest production from Jorge Elbrecht of Violens/Lansing-Dreiden.
Also worth noting, this quote:
Brooklyn's very own Madonna-New York Press
Although it might be slightly overstated, I think you’ll find this track in keeping with that sentiment. Actually, you know what it really reminds me of? Y Kant Tori Read. That’s what. And that in itself is really kind of amazing. What reminds you of THAT?
Finally, to wander back to Northside for one last hot minute, I had such an awesome time at the fest—although in combination with Pride, I am completely worthless today. I saw a million bands, hung out with friends and, of course, had so much fun organizing and playing last night’s show, which was a total blast in general. Thanks to Karl, The L, (festival buddies) Dana and Alida, Scott, Patrice, Ribbons and the rest of Palmyra (with an extra shout out to Kenny who made it through our set with a fever) for making it such a memorable night/festival.
Now, Class Actress, who I saw at the CLASSY new Knitting Factory space:

Careful What You Say.mp3
You just keep repeating the same thing.
What is Monday Mail?
Is it just me or have the 80s come and gone a few times in the last 10 years? Maybe it’s just the end of history, but it seems like they’ve been back, then gone, then back, then gone at least three or four times since I entered college. I can never exactly decide if I like it.
Also, I bet you’re really ready for me to stop blabbering on and on about Northside, especially if you don’t live in the general NYC area (SORRY!), but Class Actress, who I caught at the fest, is delightfully 80s in the way I do like—synthpoppy somewhere between some choice Magnetic Fields albums and actually wearing shoulder pads.
Brooke from Big Hassle says:
Class Actress is led by Elizabeth Harper, the second artist to sign to Chris Taylor from Grizzly Bear and Ethan Silverman's Terrible Records. Harper is joined by producers Mark Richardson and Scott Rosenthal for their debut, Journal of Ardency, which also features guest production from Jorge Elbrecht of Violens/Lansing-Dreiden.
Also worth noting, this quote:
Brooklyn's very own Madonna-New York Press
Although it might be slightly overstated, I think you’ll find this track in keeping with that sentiment. Actually, you know what it really reminds me of? Y Kant Tori Read. That’s what. And that in itself is really kind of amazing. What reminds you of THAT?
Finally, to wander back to Northside for one last hot minute, I had such an awesome time at the fest—although in combination with Pride, I am completely worthless today. I saw a million bands, hung out with friends and, of course, had so much fun organizing and playing last night’s show, which was a total blast in general. Thanks to Karl, The L, (festival buddies) Dana and Alida, Scott, Patrice, Ribbons and the rest of Palmyra (with an extra shout out to Kenny who made it through our set with a fever) for making it such a memorable night/festival.
Now, Class Actress, who I saw at the CLASSY new Knitting Factory space:

Careful What You Say.mp3
You just keep repeating the same thing.
Labels:
2010s,
Brooklyn,
Class Actress,
Girl Singer,
Indie Pop,
Pop,
Synth Pop
June 18, 2010
One Sweet Song//Northside Showcase
Local Music Showcase
What's up with Local Music Fridays?
I know what you're thinking: SLACKER!!! For once, it's not true! Au contraire, OSSers, I have been busting ass to organize something VERY COOL with Karl Sturk and today we are kicking if off with four, COUNT 'EM, FOUR sweet songs. Read on:
One Sweet Song and the ever-awesome Karl Sturk are curating a showcase for next week's Northside Music Festival. Guys, this is going to be a really, really good time. As FIPS says, you've gotten really good at this whole blog-reading thing--maybe it's time to try coming to a show. Shake hands, drink beer and hear awesome music. Oh, by the way, tomorrow's my birthday...this gives you the perfect opportunity to buy me a drink!
The Glorious Details:
One Sweet Song and Karl Sturk Showcase
Sunday 6/27
Public Assembly in Williamsburg
Doors 7:30, Music at 8
$7
Featuring the Amazing Sounds of:
11 PM :: Ribbons [Myspace]

Jenny Logan, Sam Roudman and Jeff Ciprioni tear it up with a sound that's fast and energetic while also retaining something dark and brooding. This is their last-ever NYC show, so catch them while you still can.
"...delightfully reminiscent of the golden age of that dark weird post-punk." - OSS
"...the stripped-down fever-shivers and uneasy fidget of classic post-punk--think Joy Division, Orange Juice, Durutti Column, etc. But these two Cali transplants can also play the shit out of their instruments." - The Village Voice
Mp3: Screens.mp3
10 PM :: Palmyra [Myspace] [Official]

The unlikely combination of a fuzzy acoustic guitar, a retro analog synth, a trumpet, a jazz drummer and a detroit-style garage rocker take on well-made rock and pop songs.
"100% shameless self-promotion" - OSS
"The City, On Repeat, is a gorgeous set of songs with a warm, homey feel. " - Tandem Shop
Quiet Color
Mp3: Suicidal Female Poets.mp3
9 PM :: The Long Eye [Myspace]

Karl Sturk and Patrice Scinta expertly combine finely crafted songs with a gritty, lofi garage sound.
"Karl’s songwriting talent, ear for arrangement and musical ability more than speak for themselves." - OSS
Mp3: Palisades.mp3 (Demo)
8 PM :: Drunken Barn Dance [Myspace]

Scott Sellwood's delightful sometimes solo, sometimes full band highlights his songwriting and always promises a rollicking good time.
"Scott Sellwood, in addition to being a truly sweet dude, is a master of melody." - One Sweet Song
"Drunken Barn Dance evolved from a solo folk project of Scott's into an epic multi-guitar attack band reminiscent of Television, Wilco and the Grateful Dead." - Metro Times
Mp3: A Winter's Tale.mp3
Also, look forward to Northside Week next week. I'll be counting down the days to the festival's start and giving you tips on which shows you HAVE to see.
What's up with Local Music Fridays?
I know what you're thinking: SLACKER!!! For once, it's not true! Au contraire, OSSers, I have been busting ass to organize something VERY COOL with Karl Sturk and today we are kicking if off with four, COUNT 'EM, FOUR sweet songs. Read on:
One Sweet Song and the ever-awesome Karl Sturk are curating a showcase for next week's Northside Music Festival. Guys, this is going to be a really, really good time. As FIPS says, you've gotten really good at this whole blog-reading thing--maybe it's time to try coming to a show. Shake hands, drink beer and hear awesome music. Oh, by the way, tomorrow's my birthday...this gives you the perfect opportunity to buy me a drink!
The Glorious Details:
One Sweet Song and Karl Sturk Showcase
Sunday 6/27
Public Assembly in Williamsburg
Doors 7:30, Music at 8
$7
Featuring the Amazing Sounds of:
11 PM :: Ribbons [Myspace]

Jenny Logan, Sam Roudman and Jeff Ciprioni tear it up with a sound that's fast and energetic while also retaining something dark and brooding. This is their last-ever NYC show, so catch them while you still can.
"...delightfully reminiscent of the golden age of that dark weird post-punk." - OSS
"...the stripped-down fever-shivers and uneasy fidget of classic post-punk--think Joy Division, Orange Juice, Durutti Column, etc. But these two Cali transplants can also play the shit out of their instruments." - The Village Voice
Mp3: Screens.mp3
10 PM :: Palmyra [Myspace] [Official]

The unlikely combination of a fuzzy acoustic guitar, a retro analog synth, a trumpet, a jazz drummer and a detroit-style garage rocker take on well-made rock and pop songs.
"100% shameless self-promotion" - OSS
"The City, On Repeat, is a gorgeous set of songs with a warm, homey feel. " - Tandem Shop
Quiet Color
Mp3: Suicidal Female Poets.mp3
9 PM :: The Long Eye [Myspace]

Karl Sturk and Patrice Scinta expertly combine finely crafted songs with a gritty, lofi garage sound.
"Karl’s songwriting talent, ear for arrangement and musical ability more than speak for themselves." - OSS
Mp3: Palisades.mp3 (Demo)
8 PM :: Drunken Barn Dance [Myspace]

Scott Sellwood's delightful sometimes solo, sometimes full band highlights his songwriting and always promises a rollicking good time.
"Scott Sellwood, in addition to being a truly sweet dude, is a master of melody." - One Sweet Song
"Drunken Barn Dance evolved from a solo folk project of Scott's into an epic multi-guitar attack band reminiscent of Television, Wilco and the Grateful Dead." - Metro Times
Mp3: A Winter's Tale.mp3
Also, look forward to Northside Week next week. I'll be counting down the days to the festival's start and giving you tips on which shows you HAVE to see.
Labels:
00s,
2010s,
Brooklyn,
Drunken Barn Dance,
Indie,
Indie Folk,
Indie Rock,
Karl Sturk,
Local Music Friday,
New York,
Northside Week,
Palmyra,
Post Punk,
Ribbons,
The Long Eye
April 23, 2010
Laurel Halo//Embassy
Lush and Local: Local Music Friday
What's up with Local Music Fridays?
Sorry, I missed yesterday. I was putting all my energy into putting my apartment back together after the big shack up. Besides, I figured you'd still be playing that France Gall track on repeat.
It's funny how you can live with people in a very small town and not meet them until you move to a very large town. This was the case with Laurel, who I met by chance at a party at Sharon's house.
Laurel just got a shout-out from this cute little music website. You may have heard of it. It's called Pitchfork. Pretty cool.
This recording is very textured and lush. Those dudes compared her to Dirty Projectors, which I can definitely hear, especially the way the vocal lines weave in and out of the instrumentation. The music itself also reminds me a bit of Bell.

Embassy.mp3
Though I've never had the chance to see Laurel live, I bet it's rad. I'm always curious to hear how recordings like this translate into live performance. Catch her at Glasslands on May 4.
What's up with Local Music Fridays?
Sorry, I missed yesterday. I was putting all my energy into putting my apartment back together after the big shack up. Besides, I figured you'd still be playing that France Gall track on repeat.
It's funny how you can live with people in a very small town and not meet them until you move to a very large town. This was the case with Laurel, who I met by chance at a party at Sharon's house.
Laurel just got a shout-out from this cute little music website. You may have heard of it. It's called Pitchfork. Pretty cool.
This recording is very textured and lush. Those dudes compared her to Dirty Projectors, which I can definitely hear, especially the way the vocal lines weave in and out of the instrumentation. The music itself also reminds me a bit of Bell.

Embassy.mp3
Though I've never had the chance to see Laurel live, I bet it's rad. I'm always curious to hear how recordings like this translate into live performance. Catch her at Glasslands on May 4.
Labels:
00s,
Ann Arbor,
Brooklyn,
Electronic,
Experimental,
Girl Singer,
Laurel Halo,
Local Music Friday
April 16, 2010
Ribbons//Screens
Delay and Drums: Local Music Friday
What's up with Local Music Fridays?
There was a hot minute where I was going to play some songs with Ribbons, but then the general whirlwind of life got in the way, as it sometimes does. It kind of bummed me out, because I really enjoyed spending some time learning the band's songs, as singer/guitarist Jenny Logan (who also plays bass in World Atlas) did a great job writing them.
The guitar sound is delightfully reminiscent of the golden age of that dark weird post-punk (read: The Smiths, Joy Division, The Organ, the other bands that always seem to come up when critics talk about Ribbons, like Orange Juice, which I actually don't hear at all, etc). I'll go out on a thin limb and say I hear a touch of something that sounds like a much less sincere Chrissie Hynde in there too. Am I going to get in trouble? Are The Pretenders cool again? I can't keep track anymore. I should also add that Sam Roudman knows how to go really crazy on the drums, which kicks the energy of the songs up a notch.
On top of all of this, in case you were even considering not taking them seriously, they've got a Daytrotter Sesh, an L Mag 8 Bands Honorable Mention and a Village Voice Music Blog shout out.

Screens.mp3
Catch Ribbons live at Bruar Falls on April 22.
What's up with Local Music Fridays?
There was a hot minute where I was going to play some songs with Ribbons, but then the general whirlwind of life got in the way, as it sometimes does. It kind of bummed me out, because I really enjoyed spending some time learning the band's songs, as singer/guitarist Jenny Logan (who also plays bass in World Atlas) did a great job writing them.
The guitar sound is delightfully reminiscent of the golden age of that dark weird post-punk (read: The Smiths, Joy Division, The Organ, the other bands that always seem to come up when critics talk about Ribbons, like Orange Juice, which I actually don't hear at all, etc). I'll go out on a thin limb and say I hear a touch of something that sounds like a much less sincere Chrissie Hynde in there too. Am I going to get in trouble? Are The Pretenders cool again? I can't keep track anymore. I should also add that Sam Roudman knows how to go really crazy on the drums, which kicks the energy of the songs up a notch.
On top of all of this, in case you were even considering not taking them seriously, they've got a Daytrotter Sesh, an L Mag 8 Bands Honorable Mention and a Village Voice Music Blog shout out.

Screens.mp3
Catch Ribbons live at Bruar Falls on April 22.
Labels:
2010s,
Brooklyn,
Girl Singer,
Local Music Friday,
Post Punk,
Ribbons
April 7, 2010
Sharon Jones and The Dap Kings//Make It Good To Me
I'm sure everyone knows how much I love Sharon Jones at this point. In my mind, she is the ultimate definition of "good."
Just an FYI (bitches), a new album came out yesterday (a good day in a Good Week). Will be purchasing at an independent local music store ASAP. Suggest you do the same. Also, if you're feeling especially poor (cough, cough, like me) you can buy it for a measly 7.99 at Amazon. Go without coffee for three days. No excuses.
This song actually isn't from that album. It appeared instead on the completely awesome Daptone Gold record.
In addition to the signature smooth sound, this song has a great groove. We can also ponder what "making it good" really entails. Sure, it could be innocent...but presumed innuendo abounds. Not that that's not good.

Make It Good To Me.mp3
You see the hour's getting late,
So take some direction.
You see it's half past making up time
And a quarter to affection.
But if you ain't got no new thing to say,
You better go on and fix it the old fashioned way
And make it good to me, baby,
The way it used to be.
Did you know that there's a Good Magazine? According to their site, it's "collaboration of individuals, businesses, and nonprofits pushing the world forward." Of course, there's also Good Housekeeping.
Just an FYI (bitches), a new album came out yesterday (a good day in a Good Week). Will be purchasing at an independent local music store ASAP. Suggest you do the same. Also, if you're feeling especially poor (cough, cough, like me) you can buy it for a measly 7.99 at Amazon. Go without coffee for three days. No excuses.
This song actually isn't from that album. It appeared instead on the completely awesome Daptone Gold record.
In addition to the signature smooth sound, this song has a great groove. We can also ponder what "making it good" really entails. Sure, it could be innocent...but presumed innuendo abounds. Not that that's not good.

Make It Good To Me.mp3
You see the hour's getting late,
So take some direction.
You see it's half past making up time
And a quarter to affection.
But if you ain't got no new thing to say,
You better go on and fix it the old fashioned way
And make it good to me, baby,
The way it used to be.
Did you know that there's a Good Magazine? According to their site, it's "collaboration of individuals, businesses, and nonprofits pushing the world forward." Of course, there's also Good Housekeeping.
Labels:
00s,
Brooklyn,
Daptone,
Funk,
Girl Singer,
Good Week,
NYC,
Sharon Jones,
Sharon Jones and the Dap Kings,
Soul
April 2, 2010
Michael Ross//Out There On The Ice
Local Music Friday Warmday
What's up with Local Music Fridays?
Michael Ross's forthcoming album, Sidewalks was produced by another LMFer, Erik Hall. Michael recently moved to NYC from Chicago and happens to be playing his first show here tomorrow at The 50/50.
Judging by this track, Ross's album will be populated by some interesting sounds and songs. More info on the show, which will be the first outdoor one of the season, weather provided, here.
Speaking of ice, I'm so glad that's over. I'm going outside!!!

Out There On The Ice.mp3
She's out there on the ice again.
What's up with Local Music Fridays?
Michael Ross's forthcoming album, Sidewalks was produced by another LMFer, Erik Hall. Michael recently moved to NYC from Chicago and happens to be playing his first show here tomorrow at The 50/50.
Judging by this track, Ross's album will be populated by some interesting sounds and songs. More info on the show, which will be the first outdoor one of the season, weather provided, here.
Speaking of ice, I'm so glad that's over. I'm going outside!!!

Out There On The Ice.mp3
She's out there on the ice again.
Labels:
2010s,
Boy Singer,
Brooklyn,
Chicago,
Folk,
Local Music Friday,
Michael Ross
March 29, 2010
Michael Leonhart & Avramina 7//Scopolamine
Flash back and forward Monday Mail!
What is Monday Mail?
I will add sending me a picture of the record that contains the song you are sending to the list of ways to get my attention when it comes to submissions. This is exactly what Truth & Soul did and yeah, it works:
Long time trumpet player for many of the T&S releases, Michael Leonhart has masterfully created something that sounds like the musical love child of R.D Burman, Fela Kuti, & Beck. A mix of reverb drenched vocals, afro beat horns, and fluttering tablas all work in perfect harmony on The Avramina 7's first single on Truth & Soul.
Truth be told, I am usually deluged with all the newest hits (and non-hits) from indie rockers, popsters and folkers from around the world. Now, that’s cool. I do really like those genres and if you regularly read this blog, you might like them too. That said, what I most enjoy is the mind-blowing variety that comes with listening to EVERYTHING under the sun. So, when an amazingly funky JAM with so much natural GROOVE shows up in my inbox, I cannot resist.
Please tell me you have a cigar you can smoke, a skinny tie you can wear and a desk you can put your feet up on while you listen to this smooth track. It’s by Michael Leonhart aka the youngest Grammy recipient in history. Leonhart, who has performed with everyone from Yoko Ono to Mos Def to Caetano Veloso to Sharon Jones & The Dap Kings, has somehow made his music sound at once like a throwback to 70s funk and like a fast forward to some kind of futuristic genre mashup. His newest album is a concept piece called Seahorse and The Storyteller, which, from the few tracks I listened to, is definitely worth checking out. From the Truth & Soul site:
While on the road with Steely Dan in 2005, Leonhart came up with the idea to record a concept record that would meld the styles of Bollywood funk scores, 60's psychedelic rock, and the mythical storytelling of artists like Peter, Paul, & Mary and Donovan. "Seahorse and The Storyteller" is a modern musical opera that in the words of Leonhart, "tells the story of two mythical creatures who meet, fall in love and begin piecing together the mysteries of each others past."
Rad.

Scopolamine.mp3
What’s she doing with that bottle of spraypaint?
What is Monday Mail?
I will add sending me a picture of the record that contains the song you are sending to the list of ways to get my attention when it comes to submissions. This is exactly what Truth & Soul did and yeah, it works:
Long time trumpet player for many of the T&S releases, Michael Leonhart has masterfully created something that sounds like the musical love child of R.D Burman, Fela Kuti, & Beck. A mix of reverb drenched vocals, afro beat horns, and fluttering tablas all work in perfect harmony on The Avramina 7's first single on Truth & Soul.
Truth be told, I am usually deluged with all the newest hits (and non-hits) from indie rockers, popsters and folkers from around the world. Now, that’s cool. I do really like those genres and if you regularly read this blog, you might like them too. That said, what I most enjoy is the mind-blowing variety that comes with listening to EVERYTHING under the sun. So, when an amazingly funky JAM with so much natural GROOVE shows up in my inbox, I cannot resist.
Please tell me you have a cigar you can smoke, a skinny tie you can wear and a desk you can put your feet up on while you listen to this smooth track. It’s by Michael Leonhart aka the youngest Grammy recipient in history. Leonhart, who has performed with everyone from Yoko Ono to Mos Def to Caetano Veloso to Sharon Jones & The Dap Kings, has somehow made his music sound at once like a throwback to 70s funk and like a fast forward to some kind of futuristic genre mashup. His newest album is a concept piece called Seahorse and The Storyteller, which, from the few tracks I listened to, is definitely worth checking out. From the Truth & Soul site:
While on the road with Steely Dan in 2005, Leonhart came up with the idea to record a concept record that would meld the styles of Bollywood funk scores, 60's psychedelic rock, and the mythical storytelling of artists like Peter, Paul, & Mary and Donovan. "Seahorse and The Storyteller" is a modern musical opera that in the words of Leonhart, "tells the story of two mythical creatures who meet, fall in love and begin piecing together the mysteries of each others past."
Rad.

Scopolamine.mp3
What’s she doing with that bottle of spraypaint?
Labels:
00s,
Afrobeat,
Boy Singer,
Brooklyn,
Funk,
Monday Mail
February 23, 2010
Boyskout//Back to Bed
Just when you thought the cold gray hell that is winter might be finished, you wake up to a day like today and a promise of a few more like it…and maybe even some more snow a few days after that. I hate winter. I hate it. Well, that’s not completely true. I like the first week of it and the very first snow of the season. Beyond that, I am so over it.
A. got home yesterday from a weekend audition jaunt to California. I was extra happy to see her and wake up next to her this morning. What I wasn’t extra happy about was dragging myself out of bed at an obscenely early hour, all while dark rainy vibes greeted me through the window. YUCK.
This song, by the band Boyskout, describes a situation I’m sure we’re all familiar with. You have to get up. The warm body in your bed begs you not to and you don’t want to anyway. Fun. Back to bed: it's everywhere you want to be. Also, what is it that they say in NPR? "Although there's nothing overtly graphic in this story, it's kinda sexy, so kids, cover your ears." No, that's not quite right.
Anyway, in addition to making some super fun songs, the girls in this band are pretty damn cute. Even though it looks like it’s been a while since they were an active band, they’re currently based in Brooklyn. I hope I’ll run into them on the G train someday.

Back to Bed.mp3
Baby, come back to bed.
You know you want to.
A. got home yesterday from a weekend audition jaunt to California. I was extra happy to see her and wake up next to her this morning. What I wasn’t extra happy about was dragging myself out of bed at an obscenely early hour, all while dark rainy vibes greeted me through the window. YUCK.
This song, by the band Boyskout, describes a situation I’m sure we’re all familiar with. You have to get up. The warm body in your bed begs you not to and you don’t want to anyway. Fun. Back to bed: it's everywhere you want to be. Also, what is it that they say in NPR? "Although there's nothing overtly graphic in this story, it's kinda sexy, so kids, cover your ears." No, that's not quite right.
Anyway, in addition to making some super fun songs, the girls in this band are pretty damn cute. Even though it looks like it’s been a while since they were an active band, they’re currently based in Brooklyn. I hope I’ll run into them on the G train someday.

Back to Bed.mp3
Baby, come back to bed.
You know you want to.
Labels:
00s,
Boyskout,
Brooklyn,
Girl Singer,
Indie Rock,
Punk,
Riotgrrl
February 11, 2010
Sleigh Bells//Ring Ring
Stereogum says they're a band to watch. Pitchfork says they're "rising." All this attention is making their first album one of the most anticipated of the year.
If you read this blog with any regularity, you may be well-aquatinted with my feelings on the concept of "hype." Much of the time, I think it's just that--hype. Some of the best music I've ever heard has been completely without buzz and some of the worst music I've ever heard has been completely over-praised by "prominent critics." Once in a while, a band is getting hype because it actually deserves it or because it's special in some way. I kind of feel that way about Sleigh Bells.
It's not that Sleigh Bells are good songwriters or masterful artists. At best, they sound like passable musicians with a creative sound. What I'm sure makes them stand out is their live energy...and this is something I can tell even having never seen them live. You better believe though that I'm going to try to see them live as soon as possible. Their songs sound like the best party you've never been too--the kind you know will be fun and bad and debaucherous; the kind you wouldn't tell your parents about, the kind you want to get yourself to ASAP.
I put this song on my Christmas mix because I thought it was witty and appropriate. And since we're wading through a foot of snow, it still seems so. Get it? Sleigh Bells?

Ring Ring.mp3
You're just a weatherman,
We make the wind blow.
If you read this blog with any regularity, you may be well-aquatinted with my feelings on the concept of "hype." Much of the time, I think it's just that--hype. Some of the best music I've ever heard has been completely without buzz and some of the worst music I've ever heard has been completely over-praised by "prominent critics." Once in a while, a band is getting hype because it actually deserves it or because it's special in some way. I kind of feel that way about Sleigh Bells.
It's not that Sleigh Bells are good songwriters or masterful artists. At best, they sound like passable musicians with a creative sound. What I'm sure makes them stand out is their live energy...and this is something I can tell even having never seen them live. You better believe though that I'm going to try to see them live as soon as possible. Their songs sound like the best party you've never been too--the kind you know will be fun and bad and debaucherous; the kind you wouldn't tell your parents about, the kind you want to get yourself to ASAP.
I put this song on my Christmas mix because I thought it was witty and appropriate. And since we're wading through a foot of snow, it still seems so. Get it? Sleigh Bells?

Ring Ring.mp3
You're just a weatherman,
We make the wind blow.
Labels:
2010s,
Brooklyn,
Electronic,
Experimental,
Girl Singer,
Indie,
Sleigh Bells
January 25, 2010
Yeasayer//2080
Before we kick off the week: OSS finally jumped on the social networking bandwagon (about 1-4 years late, but oh well). You can now follow the jams on Twitter and Facebook.
Speaking of technology, I would like to officially welcome you to Time Travel Week here on OSS. Prepare to be jostled around as we move between different points in time in a manner analogous to moving between different points in space!
Last week, I had dinner with a friend and we got into a long, intense conversation about what would happen if we lost the grid. This is one of my favorite conversations and usually leads me to fantasize about the hell that would occur when post-digital information age, we realize that no one in our society actually knows how to do anything anymore and we are hurdled into another dark age. I have a few friends who are carpenters and farmers. I am looking at you guys. If this ever happens, I will be showing up at your doors.
With that in mind, let’s travel to the future. Brooklyn buzz band Yeasayer just released a new album that sounds, from what I’ve heard of it so far, great. On their previous release, All Hour Cymbals, they wrote about 2080.
The version of the future (and the resistance to thinking about it too much) described in the song feels pretty bleak. The narrator suggests that we “grab at the chance to be handsome farmers,” implying that our current situation likely won’t hold long. The way the song sounds, I can’t help but imagine post-apocalyptic urban hells taking over our once-thriving cities and small farming communities dotting our countrysides, with people returning to old ways as lack of resources leads civilization to revert to simpler times. The narrator also acknowledges that he’ll “surely be dead” by the time any of this comes to pass.
Until tomorrow, enjoy your stay in 2080. If you get bored, you can always get back in the DeLorean for some more.

2080.mp3
I can't sleep when I think about the times we're living in.
I can't sleep when I think about the future I was born into.
Time Travel Fact: It’s unclear where the idea of time travel first emerge, although some point to an early example around 700 BC. From Wikipedia: Ancient folk tales and myths sometimes involved something akin to travelling forward in time; for example, in Hindu mythology, the Mahabharatha mentions the story of the King Revaita, who travels to heaven to meet the creator Brahma and is shocked to learn that many ages have passed when he returns to Earth.
Speaking of technology, I would like to officially welcome you to Time Travel Week here on OSS. Prepare to be jostled around as we move between different points in time in a manner analogous to moving between different points in space!
Last week, I had dinner with a friend and we got into a long, intense conversation about what would happen if we lost the grid. This is one of my favorite conversations and usually leads me to fantasize about the hell that would occur when post-digital information age, we realize that no one in our society actually knows how to do anything anymore and we are hurdled into another dark age. I have a few friends who are carpenters and farmers. I am looking at you guys. If this ever happens, I will be showing up at your doors.
With that in mind, let’s travel to the future. Brooklyn buzz band Yeasayer just released a new album that sounds, from what I’ve heard of it so far, great. On their previous release, All Hour Cymbals, they wrote about 2080.
The version of the future (and the resistance to thinking about it too much) described in the song feels pretty bleak. The narrator suggests that we “grab at the chance to be handsome farmers,” implying that our current situation likely won’t hold long. The way the song sounds, I can’t help but imagine post-apocalyptic urban hells taking over our once-thriving cities and small farming communities dotting our countrysides, with people returning to old ways as lack of resources leads civilization to revert to simpler times. The narrator also acknowledges that he’ll “surely be dead” by the time any of this comes to pass.
Until tomorrow, enjoy your stay in 2080. If you get bored, you can always get back in the DeLorean for some more.

2080.mp3
I can't sleep when I think about the times we're living in.
I can't sleep when I think about the future I was born into.
Time Travel Fact: It’s unclear where the idea of time travel first emerge, although some point to an early example around 700 BC. From Wikipedia: Ancient folk tales and myths sometimes involved something akin to travelling forward in time; for example, in Hindu mythology, the Mahabharatha mentions the story of the King Revaita, who travels to heaven to meet the creator Brahma and is shocked to learn that many ages have passed when he returns to Earth.
Labels:
00s,
Boy Singer,
Brooklyn,
Experimental,
Indie,
Songs With Dates,
Time Travel Week,
Yeasayer
January 19, 2010
Antibalas Ft. Mayra Vega//Che Che Cole Makossa
A.’s mom got this for me for Christmas and it is SO, SO AWESOME. I think Daptone is by far the coolest label in existence today. Every track is completely flawless; written, performed, recorded, mixed and mastered perfectly. Their artists really are that good.
This is one of my favorites right now. I hadn’t really listened to much Antibalas (which is Spanish for “bulletproof”) before. They’re from Bushwick and they’re modeled on Fela Kuti’s Africa 70 band (Femi has subsequently played with them). They’ve got plenty of chops and accolades, but if you’re the kind of person who pays even a mild attention to theater, you might know them as the backing band from the broadway smash “Fela.”
"Che Che Cole Makossa" seriously brings it. It’s features an awesomely funky beat and Mayra Vega’s energetic vocals. I was falling asleep on the PATH train this morning and when this song came on, it made me want to dance around (don’t worry, I didn’t).
I can’t recommend this comp enough. Just go buy it already. Get it on vinyl if you can.

Che Che Cole Makossa.mp3
The band's on tour in Australia in March, but you can catch them now in Fela.
This is one of my favorites right now. I hadn’t really listened to much Antibalas (which is Spanish for “bulletproof”) before. They’re from Bushwick and they’re modeled on Fela Kuti’s Africa 70 band (Femi has subsequently played with them). They’ve got plenty of chops and accolades, but if you’re the kind of person who pays even a mild attention to theater, you might know them as the backing band from the broadway smash “Fela.”
"Che Che Cole Makossa" seriously brings it. It’s features an awesomely funky beat and Mayra Vega’s energetic vocals. I was falling asleep on the PATH train this morning and when this song came on, it made me want to dance around (don’t worry, I didn’t).
I can’t recommend this comp enough. Just go buy it already. Get it on vinyl if you can.

Che Che Cole Makossa.mp3
The band's on tour in Australia in March, but you can catch them now in Fela.
January 11, 2010
The Octagon//Suicide Kings
Octagonal Trio, Monday Mail!
What is Monday Mail?
Good morning. Before we kick of the week with our regularly scheduled Monday Mail, I would like to remind you that today is the last day to nominate OSS (and all your other favorite blogs like Meals for Moderns, Brokelyn, Breeder's Digest, Daily Beatz and How Fucking Romantic) for Bloggies! Not to proverbially toot our own horns too much, but may I remind you that last year we almost won one of these things? If you enjoy OSS every day, every week or every once in a while, give us a shout-out and show us some love. We’d do that for you!
Meanwhile, Josh from Fanatic says:
The Octagon’s Will Glass and Zachary Mexico met as kids in boarding school when Glass made fun of Mexico’s Green Day t-shirt. The guys huddled together in dorm rooms, late at night, drinking from warm 40’s of St. Ides and handles of Captain Morgan, listening to Motown, Astral Weeks, Guided by Voices, Dead Kennedys, and The Grateful Dead. Eventually landing in NYC, Glass and Mexico met up with bass player The Bunny, forming The Octagon and touring behind two albums.
Other pursuits came calling and Mexico relocated to China - where he still spends part of the year - to write his first book, “China Underground” (Soft Skull Press, 2009) which became a bestseller in Singapore. Glass went on the road as the touring drummer for Dirty Projectors and The Bunny languished in Williamsburg, spending his days begging for money outside the Bedford Avenue L stop to support his gourmet sandwich habit.
And then, in the dark winter days of February 2009, the members of The Octagon found themselves back together and working on a new batch of songs in their dimly lit practice space in Williamsburg, Brooklyn. Led by the lo-fi recording expertise of Glass, the band spent three days laying down thirty tunes to analog cassette tape on two Tascam four-track recorders. The result is Warm Love and Cool Dreams Forever, an album full of Mexico’s warm Fender Mustang, Bunny’s full bass tones, and the clean and crisp jazz-inflected drumming of Glass.
The songs are concise bursts of energy – short and to the point -- showing off the band’s gift for penning simple, catchy melodies mixed with sonic and structural experimentation. It’s a cool enough sound to be represented on a boarding school kid’s t-shirt... and catchy enough for another one to make fun of him for.
Josh kinda said it all, huh? This song is awesome and the sound reminds me of a dirtier, lazier Strokes, when The Strokes were brand new. LoFi in that old school way. Strong melody. Good lyrics. I’m sold.
Also, I should add that as a kid, we played a few different variations of schoolyard handball. Weirdly, the names of these two varieties (always involving the school’s brick wall and a neon yellow/green tennis ball) were “Suicide” and “Kings.” Coincidence? I think not.
Catch The Octagon on 1/22 at Bruar Falls for their album release. They're also on an American tour right now AS WE SPEAK!

Suicide Kings.mp3
From New York to Chicago,
You’re the first one to be alone.
You’re the first one to turn me on.
What is Monday Mail?
Good morning. Before we kick of the week with our regularly scheduled Monday Mail, I would like to remind you that today is the last day to nominate OSS (and all your other favorite blogs like Meals for Moderns, Brokelyn, Breeder's Digest, Daily Beatz and How Fucking Romantic) for Bloggies! Not to proverbially toot our own horns too much, but may I remind you that last year we almost won one of these things? If you enjoy OSS every day, every week or every once in a while, give us a shout-out and show us some love. We’d do that for you!
Meanwhile, Josh from Fanatic says:
The Octagon’s Will Glass and Zachary Mexico met as kids in boarding school when Glass made fun of Mexico’s Green Day t-shirt. The guys huddled together in dorm rooms, late at night, drinking from warm 40’s of St. Ides and handles of Captain Morgan, listening to Motown, Astral Weeks, Guided by Voices, Dead Kennedys, and The Grateful Dead. Eventually landing in NYC, Glass and Mexico met up with bass player The Bunny, forming The Octagon and touring behind two albums.
Other pursuits came calling and Mexico relocated to China - where he still spends part of the year - to write his first book, “China Underground” (Soft Skull Press, 2009) which became a bestseller in Singapore. Glass went on the road as the touring drummer for Dirty Projectors and The Bunny languished in Williamsburg, spending his days begging for money outside the Bedford Avenue L stop to support his gourmet sandwich habit.
And then, in the dark winter days of February 2009, the members of The Octagon found themselves back together and working on a new batch of songs in their dimly lit practice space in Williamsburg, Brooklyn. Led by the lo-fi recording expertise of Glass, the band spent three days laying down thirty tunes to analog cassette tape on two Tascam four-track recorders. The result is Warm Love and Cool Dreams Forever, an album full of Mexico’s warm Fender Mustang, Bunny’s full bass tones, and the clean and crisp jazz-inflected drumming of Glass.
The songs are concise bursts of energy – short and to the point -- showing off the band’s gift for penning simple, catchy melodies mixed with sonic and structural experimentation. It’s a cool enough sound to be represented on a boarding school kid’s t-shirt... and catchy enough for another one to make fun of him for.
Josh kinda said it all, huh? This song is awesome and the sound reminds me of a dirtier, lazier Strokes, when The Strokes were brand new. LoFi in that old school way. Strong melody. Good lyrics. I’m sold.
Also, I should add that as a kid, we played a few different variations of schoolyard handball. Weirdly, the names of these two varieties (always involving the school’s brick wall and a neon yellow/green tennis ball) were “Suicide” and “Kings.” Coincidence? I think not.
Catch The Octagon on 1/22 at Bruar Falls for their album release. They're also on an American tour right now AS WE SPEAK!

Suicide Kings.mp3
From New York to Chicago,
You’re the first one to be alone.
You’re the first one to turn me on.
Labels:
2010s,
Boy Singer,
Brooklyn,
Indie Rock,
LoFi,
Monday Mail,
The Octagon
December 18, 2009
World Atlas//Girl on a Boy's Bike
So Twee, So Local: Local Music Friday.
Tell me...what is this Local Music Fridays?
We played with World Atlas at the same show we played with Knight School and they were equally awesome. It just so happens that friend Fred Thomas also used to play with them. AND! Palmyra is playing again with them and Zoos of Berlin tomorrow night at The Cake Shop.
I really enjoyed this quote, from The L Magazine:
“Some might say they sound too much like Belle and Sebastian, but we think they sound just the right amount like them. By which we mean, well, exactly like them."
WA does sound A LOT like B+S, but it's still quite enjoyable. Also, I'm a girl who rides a boy's bike. That's cool.
ANYWAY, I'm going to step out now. It's my anniversary and I am taking my girlfriend out for a "night on the town." Where are we going? It's a secret. See you (and World Atlas) tomorrow, perhaps. Snowball fight to follow.

Girl on a Boy's Bike.mp3
Girl on a boy's bike,
What do you feel like
Waiting for the other kids to catch you up?
Tell me...what is this Local Music Fridays?
We played with World Atlas at the same show we played with Knight School and they were equally awesome. It just so happens that friend Fred Thomas also used to play with them. AND! Palmyra is playing again with them and Zoos of Berlin tomorrow night at The Cake Shop.
I really enjoyed this quote, from The L Magazine:
“Some might say they sound too much like Belle and Sebastian, but we think they sound just the right amount like them. By which we mean, well, exactly like them."
WA does sound A LOT like B+S, but it's still quite enjoyable. Also, I'm a girl who rides a boy's bike. That's cool.
ANYWAY, I'm going to step out now. It's my anniversary and I am taking my girlfriend out for a "night on the town." Where are we going? It's a secret. See you (and World Atlas) tomorrow, perhaps. Snowball fight to follow.

Girl on a Boy's Bike.mp3
Girl on a boy's bike,
What do you feel like
Waiting for the other kids to catch you up?
Labels:
00s,
Boy Singer,
Brooklyn,
Indie Pop,
Local Music Friday,
NYC,
Twee,
World Atlas
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