Showing posts with label Cover. Show all posts
Showing posts with label Cover. Show all posts

March 9, 2010

The Cardigans, Black Sabbath, Four Tet//Iron Man

I can’t resist doing this. I’m going to be doing taxes tomorrow, so please accept today’s song, tomorrow’s song and a bonus song for your troubles…and the fact that you are going to have to do your taxes too.

Yesterday’s eulogy for Mark Linkous made me think of The Cardigans (he often worked with Nina Persson). Remember First Band on the Moon? I kind of loved that album, all full of sugary Swedish pop, including the single, “Lovefool,” which was featured in everyone’s favorite onscreen version of Romeo and Juliet. I remember reading an article about them (probably also in Rolling Stone—oh, high school) and how even though the band played 60s-inspired pop music, they were secretly all super metal nerds! That explains their fantastic cover of Black Sabbath’s “Iron Man”.

Then, I thought, if I was going to give you The Cardigans version, I should probably also give you the original, because of how I feel about covers. A little background, from Wikipedia:

The title of the song was conceived by Ozzy Osbourne. Geezer Butler took to writing the lyrics around the title. To avoid copyright infringement involving the superhero of the same name, he made it the story of a vengeful villain instead of a hero…
The lyrics tell the story of a man who time travels into the future of the world, and sees the apocalypse. In the process of returning to the present, he is turned into steel by a magnetic field. He is rendered mute, unable verbally to warn people of his time of the impending destruction. His attempts to communicate are ignored and mocked. This causes Iron Man to become angry, and have his revenge on mankind, causing the destruction seen in his vision.


After reading that, I really felt like “Iron Man” was the right song to post here as I prepare to do my taxes. Hopefully my frustration with my W2s won’t render me mute and then force me to bring about massive revenge on mankind in the form of complete destruction.

To solve that potential problem, I wanted to include a decidedly mellower version of the song here as well. I stumbled across this really beautiful instrumental cover by electronic musician Four Tet and thought he might help The Cardigans balance out the METAL DESTRUCTION. If tax time is getting you down, consider listening to the covers. If you already got your refund, crank up the original and thrash about thinking of how you have destroyed that which has spurned you (the government?).

Also, you might want to one check out of the (many) other covers. Why so many versions of this iconic heavy metal song? Probably because it’s got one of the best, most memorable lead guitar riffs ever. If a measure of greatness is directly correlated to the number of YouTube videos spawned, eat your Goddamn heart out, darling little British kids. Metal has destroyed you.



Iron Man.mp3 (Cardigans)



Iron Man.mp3 (Black Sabbath)



Iron Man.mp3 (Four Tet)

Nobody wants him
He just stares at the world
Planning his vengeance
That he will soon unfurl

October 13, 2008

The Raincoats, The Kinks//Lola

To celebrate my upcoming trip to San Francisco, America’s very own homo Mecca, One Sweet Song is getting totally gay this week. Yes, please welcome (with loving arms and lots of alcohol) OSS’s Queer Week.
Expect: raucous fun, queer action, FABULOUS!!!!!, gender bending jams, all-night parties, gay shame, hard liquor, miller high life (champagne of beers, btw).
Don’t Expect: rainbow stickers, pink triangles, the color purple, u-haul jokes, gay pride, clay aiken, miller lite.
I'll also be giving you bonus songs on some posts to make up for my upcoming "days off" from blogging.

Getting down to business:
I attended an impromptu dance party last night and, I have to say, this song about falling for a tranny woman in gay, gay ol’ Soho (this could lead to a whole world of other stories for me, so I’ll refrain) was woefully missing from the playlist (take a note on that, Mitch). While the Kinks version can definitely stand just fine on its own, it’s this version by late 70s proto-riotgrrl/post-punk group The Raincoats, that truly does the song justice. The cover relies on a more disjointed rhythm, injecting a jagged aesthetic and adding even more gender bending confusion. What better way to kick this gay week off?

Unsurprisingly, The Raincoats have big ties to that other pillar of London’s late 70s proto-riotgrrl/post-punk/new wave scene, The Slits. (remind me to tell you about my “ariupisgod” screen name from 2003). They’ve also inspired a host of much-esteemed indie/grunge icons, from Chicks on Speed to Kurt Cobain to Sonic Youth.



Lola.mp3 [Raincoats]

As an aside, Karl, his dad and I really rocked out to some Kinks in the car pre-Palmyra show on Saturday, so it makes me happy to be able to give them a shout-out today. We are the village green preservation society.



Lola.mp3 [Kinks]

You can get The Kitchen Tapes, recorded live in '82 at NYC's The Kitchen, at Other Music Digital here.

One Gay Fact: Ray Davies says that he was inspired to write this song after the band manager Robert Wace had spent the night dancing with a transvestite.

Well, I’m not the world’s most masculine man,
But I know what I am,
And I’m glad I’m a man,
And so is Lola.